proper disco edits!

vinyl only sureshot!

attention: cover is slighlty damaged. cosmonection returns with his 3rd ep 10 feet before the horizon, after the release of his maxis evasion in 2014 and altura in 2015. this new ep explores a more mature musical and sound approach of the parisian producer since his last maxi while remaining in his rhythmic and aerial vein.

cosmonection returns with his 3rd ep 10 feet before the horizon, after the release of his maxis evasion in 2014 and altura in 2015. this new ep explores a more mature musical and sound approach of the parisian producer since his last maxi while remaining in his rhythmic and aerial vein.

great early 1979 disco funk by al hudson. time for some roller skate disco parties!!!

applause, applause! your hands are in chains but you still enjoyed the show. drowned records is bringing you a qnete jam that can be described as nothing else but a psycho banger . included is also a second version of the track, milkshaking the original for a more fruity fun affair. finally, leibniz dark remix is slowing things down a little hitting all drumheads with every extremity and other strange things. clap clap!

reissue of a very rare 1965 album, gathering sonia potiinger’s earliest productions with 12 tracks including baba brooks and the techniques!

nice price deal !!! junior sanchez gets the french house treatment. move your feet!

das komplex or marcin to his parents has been steadily putting out incredible music for the last few years, building on an extremely well tailored collection of tracks they have started hitting all sorts of people s radar, no one more so than dj harvey who has been supporting his releases at some of his big shows. a1. under feet - whilst the people of australia are dancing, the people of poland are sleeping. or vice versa...starting off with some lcd fuelled vibes before a psychedelic phasing disco loop appears out of the smoke before twisting the track out in a slightly different direction. a2. w podwodnym pasniku - funky bass, filtered chords and a familiar vocal sample combine for this almost early french house sounding track circa 96. b1. bearded dwarf - very much sounding like prins thomas has been at work here, a big room scandinavian sounding house track (via poland!). big atmospherics, other-worldly vocal samples, lovely guitar snatches and driving piano with the addition of some tribal flute! b2. when - our favourite cut from the ep, cleverly using a herbie hancock sample and layering with disco sounds, vocals and a deep driving bass line to produce his trademark atmospheric, moody house sound. as always pressed on 180gm vinyl. please hunt down and destroy dance floors accordingly. keep sydney open

nice price deal !!! strong infectious melody combined with benjamins own vocals are making this a future festival anthem

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

great early 1979 disco funk by al hudson. time for some roller skate disco parties!

northern disco general and machine music lover craig bratley is back with a firing new ep on his own magic feet label. it features one track from him with danielle moore from crazy p, plus a remix from andrew weatherall and one from heretic. bratley operates on the freakier end of the disco dancefloor, with weird electronics and raw jacking grooves propping up his analogue sounds. he has released on andrew weatherall s bird scarer, has put out a fine album on tsuba and hosts his own kaleidoscopic show on leeds kmah radio, so is an accomplished artist and dj indeed.

nice price deal !!! slamming electrohouse for bigger rooms

those familiar with the world of dub disco and modern balearica should know all about layne fox, a san francisco-based producer who has released some killer records over the last decade as part of noted collective 40 thieves. the bay area ensemble has been responsible for some killer records, including gems on rong music and leng, who released their expansive debut album the sky is yours back in 2014. now, fox has decided to go it alone for an outing on magic feet that marks his first solo outing since 2005 s move me under the tuffy alias. its something of a gem, too, effortlessly combining many of his familiar influences with nods towards druggy italo-disco and horizontal pop.

magic feet release another split ep that touches on a variety of weird, wonderful and hugely atmospheric dancefloor moods.

following a stellar contribution to radio slaves clone wars remix package, markus suckut makes his full rekids debut with the heat on feet ep. the three tracks on offer capture suckut s ability to marry intensity with groove, with the toughness of his iron-forged techno breakbeats and ambient textures.

limited repress for this mighty double header of highly sought after disco funk rarities from tc james and his fist-o-funk orchestra. originally released on the tiny fist-o-funk label out of nyc, this impossible-to-find 12 inch boasts the incredible tripped-out walter gibbons mix of *get up on your feet (keep on dancin)*. weighing in at an impressive 11 minutes, this mix bears all the gibbons hallmarks - wild psychedelic synth sections, stretched out breaks and an amazing hypnotic dancefloor groove that never lets up the pressure for a second - immense! flip over for the magnificent saverese mix of *bumpsies whipping cream*, a funky-as-hell disco track filled with soaring guitar riffs, b-boy friendly percussion breaks and some very ecstatic female vocals. essential purchase.

when i was 10 years old my father took me to a flea market in a very small city up north in sweden, pitea. there was a little bit of everything being sold there: ski equipment, comics, porcelain figurines and vinyl. it was there and then i came across autobahn by kraftwerk. the thing is, we didn t have a turntable at the house we stayed in, on those cold winter weeks so i had to wait until we came back home to give the record a proper spin. in my mind i played it several times and i thought it was amazing. i imagined it was music from the future. what i thought when i heard it for real? didn t like it at all. the very same feeling i imagined autobahn would sound like is the one i get after listening to ishi vu s debut on omena. these five tracks, you could call it an album if you like, are playful, quirky, dreamy and very addictive. like finding a new friend you know you want to keep for a very long time.

slated for a vinyl only release, dusky invite hodge and jerome hill to remix the rolling techno of parakeet feet from their recent ordinary world ep. part of the livity sound collective, bristols hodge has been responsible for some of the most fresh and leftfield uk techno excursions in the past year or so. focussing on the originals talk to me sample, hodge drops a dark, twisted techno banger in his unique style. on the flip, underground legend jerome hill cranks out a raw, ravey acid house work out that builds and builds with a dynamic surge of screaming, layered 303s

after impressing with his debut album, buy the ticket, take the ride on tsuba last year, magic feet label boss craig bratley is back with a hot new ep on his own label that features tracks by unisexl audio club, beato cozzi and the man himself. since 2014s lp release, bratley has been remixed to great effect by ewan pearson and has continued to take his machine made, darkened disco sounds to clubs and festivals around europe

craig bratleys magic feet imprint returns with another double header from two up and coming producers.
paresse first featured on a magic feet label sampler and has gone on to feature on jennifer cardinis correspondant label.
markus gibb is a new name to the label and is definitely a producer to keep an eye on, having previously released on matt walshs clouded vision label.
both producers deliver two tracks, each one set to be a staple in djs boxes over the coming year.
support has come from across the board including ewan pearson, sean johnston, psychemagik, danny daze, matt walsh, the hacker and jennifer cardini

head and feet are the three artists ivika, vladimir erdber, vlad macar based in belgrade, multiplying in their first release haf001, making the spectrum of electronic sound that feeds your head and moves your feet.

prime are delighted to welcome chicago house legend stacy kidd to our roster, and with him is club busting label house 4 life. stacy, cousin of another chi-town legend (if you didnt know already), paul johnson, has been delivering bombs on wax for 20 years on seminal labels like dancemania, peacefrog, dust trax, ken lou, and yellorange, and house4life continues that trend of raw, stripped down, looped up, jacking chicago house that we all know and love. disco feet is a perfect ep to kick things off with 3 discofied jacking mixes from the man himself along with a remix from another chi-town favourite, this time female dj/producer sundance. supported by a plethora of the chicago massive and charted by maurice joshua.

lauer returns from mascats orbit to new york citys beats in space records with a new two-tracker, hands & feet / stigma. since 2012s mascat ring down, lauer ditched city life for a quiet village outside of frankfurt. lauer embraced the space for his young family and settled his creative headquarters in a quaint attic studio. the new environments and housemate, a slumbering infant son, inspired these two songs to breathe a delicate and patient air. recorded during the first summer of his new domesticity, both tracks swell with echoed piano riffs buoyed by lauers dependably precise programming.
the vinyl ep includes a download code.

bubbletease communications and running back team up once again. taken from the lp bt06 mutsumi, look down at your feet below and 58, 26, 34 & 2&#8243,,,, are two hard-hittin-freak-out dance tracks carrying the lyrical genius of mutsumi formerly known as mu. watch out! produced by maurice fulton.

up next on craig bratleys magic feet label is the vanity ep. this release is aimed at the vinyl completist and features four remixes which have so far been unreleased or received a digital release. the ep contains three remixes by craig, catalepsis *quartz giaponese*, the souls *tonight* and four walls *no use* as well as the sought after sean johnston remix of *obsession*.

craig bratleys magic feet label celebrates reaching double figures, yes, the big 10, by releasing a double header from two new artists to the label.

dj clent - the low end legend - has been known for his music since the days of dance mania, releasing tracks such as *bounce* and *back up off me* which are juke classics. he also released the grimy call to arms footwork track *3rd wurle*, as well as tracks on both bangs & works compilations.

having a debut that managed to possibly be the most regularly outed track by andrew weatherall as he dug deep to discover the sound that resonated as a love from outer space, while at the same time seemingly slipping under the radar of practically everyone else and disappear in to relative cult obscurity is some mean feet

sold out - deleted - jeremy a.k.a. underground paris is a renowned record collector & crate-digger. he is the founder of my love is underground, a vinyl-only label thats been responsible for the revival of the >authentic house groove< in europe recently. also a dj, he travels all over europe every week-end to spread his message!

next up on magic feet is a release by dark strands. tonys first release came via the first magic feet label sampler. since then his releases have caught the attention of a number of acclaimed djs, with daniel avery citing one of tonys tracks as one of the best he had heard last year. this is tonys first full vinyl release and shows exactly what he is capable of. the title track *return of the oscillator* has had people running to the booth every time its been played from london to croatia, as well as being fully road tested at alfos by sean johnston who also provides a superb remix under his hardway bros guise. the second track *galactic* slows the pace down and is perfect for those warm up sets.

2013 proved to be an excellent start to life as a label for music is love. as well as truly finding their feet and establishing a breed of music representative of what the label symbolise, they simultaneously introduced us to plenty of fresh new talent and particularly pleasing was the unearthing of numerous promising uk artists

as the seasons change so does magic feets output, this release being somewhat darker and grittier, straddling the divide between new beat, house and techno. award winning composer antoni maiovvi creates hyper-cinematic, italo inspired electro.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #22 features the second ep from b.g. baarregaard, a wonderful producer currently residing in oslo, but who is never too far from the blue lagoons of his home in iceland. b.g. has produced three sublime songs. the sound is an acid freak out of love de-luxe. it grabs and loops, hooks and tugs at your ears, then feet until you, you know. on the flip, the return both promises and delivers a mark morrison had he stayed in miami rather than returning to england. b.g. uses the third song to showcase his own song and instrumental skill in the desire. there is a magic in the air, that keeps us dancing.

the second release from swedens tommy awards is another essential 4 track ep. side a continues from where the first ep left off, with two tracks of blissful balearic vibes. if you liked land of lights recent release then this should definitely appeal to you. side b reveals another side to tommy awards and shows the guys are no slouch when it comes to producing in the electronic realm, employing vintage synths and drum machines to create gale force, the ballad of the wind. for the final track, is it balearic head honchos coyote take on the difficult task of remixing last years classic, blind andy, and come out victorious, adding elements of acid and making the track altogether deeper. is it summer yet?

ltd 2013 repress !!
big with: john daly, dj hell, marcus worgull, nick curly, wighnomy brothers, jazzanova, julius steinhoff, jimpster, till von sein, dionne, p.toile, trickski, carsten klemann, dave dk, sevensol, anthony collins, michael reinboth, christopher rau ...
ok, first of all i want to reveal a myth: these infotexts are mostly writtenby the labelowners themselves, not by hard-working editors. so what happens, when the guy behind a label releases his own music? well, either he is a well-organised deadline-machine and he asks somebody capable of doing this stupid job, or he realizes:
>oh fuck the distribution whats to do their work and they needed thissheet weeks ago...< so in the end, hes gotta do it himself: of course,now i could tell you how great this record is (what it is!) and what ahell of a motherfucker i am (also true!)... but i prefer telling yousentimental other bullshit instead... :)
this ep marks a newbeginning in my career. since some time now, >the fog burns off< and we get more and more stable in the buisness. last year we were on the road quite a bit and we found many new friends. people from other cities, who believe in the same things, who do similar stuff and who are of the same kidney as we are. so that makes me very happy, which reflects in the music. for the first time i feel like coming home, although we are at the beginning of our journey into the industry yet.

magic feet introduce three new artists on their first label sampler, as well as a remix from label owner craig bratley. the tracks cover various genres, taking their inspiration from house, italo, new beat and disco. first up is paresse, an alias of swedish producer ivan bergren. *the night before you came* is a hypnotic, evolving slice of future disco. craig bratleys remix shows craig indulging in his obsession with the world of analogue synths and sees the track taking in a deeper and darker direction. craig has also had a hand in editing *lost era* by kepier on the flipside, a track with a direct lineage to the belgian new beat sound. to round off the ep, we have soul tension, an alias of tony beardsley, who also produces as dark strands. *suburban life* is a superb take on the slo-mo techno sound.

feos & mso did it again - no words necessary - big release! 300 limited copies on picture disc

magic feet are gaining momentum after the superb tommy awards ep, and welcome timothy j fairplay to the fold for their third release. fairplay is a rising star of the uk underground and recently opened proceedings on bird scarer, the new vinyl-only initiative from andrew weatherall, with the sprawling cosmiche flecked brilliance of >the final reel<, and has also contributed to the output of astrolab and world unknown. fairplay has little interest in making functional dance floor records and delivers four cutshere that plough a distinctly epic path through post 100bpm electronic music that is framed by both cinematic and musical references. limited to 300 hundred copies only.

the 1991 electronic masterpiece from lego feet aka autechre finally re-released on double 12 inch vinyl.

after their first album made the crash test dummies huge in their home country canada, their second album meant their big break in the usa and europe, thanks to the self-consciously bizarre lyrics and the deep baritone voice of singer/songwriter brad roberts, demonstrated in their worldwide top ten hit mmm mmm mmm mmm.
other popular singles off the album were >afternoons & coffeespoons< and >swimming in your ocean<. >god shuffled his feet< was the bands most commercially successfull album reaching top album charts in usa (#9), uk (#2) and in different countries in europe (ironically, after a car accident where brad roberts almost lost his arm, crash test dummies made a few other albums but unfortunately limited distribution made these hard to find).
180 grams audiophile vinyl pressing.

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

no use is the first collaboration between long time friends and house music veterans steve conry and iain macpherson. and their fine debut >no use< is the first release on what promises to be a quality outlet magic feet. the original mix is a warm, mid-tempo, acid laced house throbber, perfect for those early hours sessions. taking care of the remixes are craig bratley (instruments of rapture, foto recordings) who amps up the atmospherics, makes the whole thing a little chunkier while adding some space to the whole affair. finally ooft! step up with a rolling and mesmerizing electronic house workout high quality and a stunning debut.

safras said: this our best vinyl release we have so far release in many aspects. innovative sound in a great package!

fantastic queen constance double a-sided special featuring two of the best tracks ever released on this cult disco label, an offshoot of nycs renowned p&p records. staying faithful to the translucent red vinyl of the 1979 original releases, this features on side a kim taylors amazing lost disco funk gem >stump your feet & dance<. produced by nyc disco legend peter brown, this track is a surefire floor filler and features all the wonderful hallmarks of a classic p&p production - funky rhythm section, phat driving bass, screaming moogy synths and that feel-good disco party atmosphere that just makes you wanna >stump your feet & dance<. on the flip is the equally awesome afro-disco stormer >licky<, another ultra-rare peter brown creation. with its rocking female vocals, hot sax solos and some wildly groovy synth action, this is a wonderful slice of afro-american fusion that rocks any discerning dancefloor. top quality release and with two top class tracks on one disc its top value for money too!